Hi guys and girls, i'm new here, so hello Am i making worry over nothing or should i meet a standard before considering putting my book in print I have an introduction i would like to be in the first person but with the narrator talking directly to the reader.
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I've read a few dozen of his books
They're all written in american english, as one would expect
But i've just come across one written in british. James patterson, claire o'dell, edna o'brien, harriet beacher stowe. Writing a black character shouldn't be anything different from writing a white character with the exception of color and hair If you think of it as different (how we talk and act) then you are writing stereotype.
It's horrible but never really scary or even creepy I must say, though, that a whole lot of modern supernatural horror, both in movies and literature, is not creepy But the really good stuff is There's a classic m r james bbc adaptation called whistle and i'll come to you (1968) which is a masterclass in creepy
A movement can only really be a vague overall description of their work i guess
Think about a movement like modernism which has within its canon people like ezra pound, james joyce, pablo picasso, the bauhaus school, robert frost, henry james, hart crane, and elizabeth bishop You can't really say they are all alike. I have just finished reading james patterson's i, alex cross I found the book to be extremely boring and tedious
The plot seemed shallow and character development was just meh Keep in mind that this is the first book i have read by this author, although i don't think i'll be reading any more by him anytime soon. ↑ well we had just had a fight ( this was when we where dateing, her slaping me in public came after we broke up) and we where haveing makeup sex In the middle of it she bites my nose and twists brakeing it
Naturaly i am in pain holding my nose as she yells and thats for calling me pudgey
Unless poor grammar is needed for effect, as in dialog, or showing a character trait of the narrator/writer, knowing and using decent grammar is definitely important in all kinds of writing. To let good grammar go by the wayside, with the excuse that it's 'poetry' is nothing but a standard copout of the hobby/amateur poet. Discussion in 'word mechanics' started by d.r James knelt down on his right knee next to the hooded girl
With his both of hands, he pushed her hood off of her head, revealing a youthful face Her eyes were closed and she was breathing heavy, and she looked to be about the same age as him How could she be sleeping after all the commotion they caused, james thought. Discussion in ' word mechanics ' started by james e, jan 24, 2019
I have an introduction i would like to be in the first person but with the narrator talking directly to the reader
The feel being as though the reader is sat talking to the narrator at a bar, so all dialogue but without any description. If you think of it as different (how we talk and act) then you are writing stereotype Within the general definition of horror fiction, including weird fiction, what do people think of the differences between supernatural and. James burke end of scarcity discussion in ' the lounge ' started by matwoolf, jan 5, 2018.
You can't really say they are all alike Look at romanticism, was robert burns much like percy shelley Anyone else find james patterson a tad 'boring' Discussion in ' discussion of published works ' started by yuriicide, dec 15, 2010
The plot seemed shallow and character development was just meh.
Massachusetts, usa james berkley said Naturaly i am in pain holding my nose as she yells and thats for calling me. Maybe it's just me but i'm tired of hearing that grammar isn't important in poetry, so unless you're james joyce, shut up and use it I get tired of that
Someone once said that in order to know how to subvert the rules and twist them to your advantage, you must understand them first Most of the time, poetry can be enhanced with grammar. Discussion in ' word mechanics ' started by d.r
